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Then we get ‘INDUSTRY BABY’ by Lil Nas X and Jack Harlow at #7, which is still clinging to streaming even as its radio and sales are too slow to make up the difference, followed ‘Levitating’ by Dua Lipa at #8 which is getting rotated out across the board but has momentum still. See, I don’t believe for a second this Kanye album bomb is built to last beyond residual streams because there’s no radio push or much single sales to speak of - which means any streaming challenger will knock this back fast. Then we have our first dose of Kanye West, with ‘Hurricane’ debuting at #6 - I’m going to cite the features this week even if none of them are credited, because the presence of The Weeknd and Lil Baby is the reason this debuted as high as it did on insane streaming… and little else. And this elbows back ‘good 4 u’ by Olivia Rodrigo to #4, where it looks like radio and streaming are starting the decline similar case with ‘Kiss Me More’ by Doja Cat and SZA at #5. Contrast this with ‘Bad Habits’ by Ed Sheeran at #3, which is now ruling the radio but lagging enough on sales and streaming to not get over the hump. I’m not complaining that it knocked off ‘Stay’ by Kid LAROI and Justin Bieber, though - even if it saw Kanye cut into their streaming margins, the sales are up and the radio is really throwing weight behind this one. In this case it’s tied to the Megan Thee Stallion remix which saw a streaming boost, but she’s not actually getting credit from Billboard outside of the streaming chart because whatever passes for the original version of this song outsold anyway - I find it weird that Billboard recognizes a definitive version of this song given the multiple versions and the ISRC spoofing, but whatever, with radio tanking, this feels like a one-off. Top ten, where I’ll admit I was surprised that ‘Butter’ by BTS has once again reclaimed the #1. And given we’ve got Drake’s album bomb waiting in the wings… yeah, no preamble, let’s get to it. …look, we knew the Kanye album bomb was coming, we knew it would be overwhelming courtesy of the fact the album was over twenty tracks long - I’m frankly just grateful that not all of the ‘bonus’ cuts charted.